Suchergebnisse

Introduction -- 1. This blessed plot: Eurosceptic British fiction -- 2. A divided kingdom: austerity and national identity in Brexit Britain -- 3. A part of the main: devolutionary politics and the multinational state -- 4. At home in the world: the immigration debate -- 5. Fate of the nation: European political futures and post-truth narratives -- Conclusion.

Dyma gyfrol sy'n cynnig golwg ffres ar ffuglen fer y llenor cyfoes Mihangel Morgan. Mae'n arbrofi â beirniadaeth greadigol er mwyn cyfleu cysyniadau ynghylch llenyddiaeth mewn modd sy'n ddealladwy ac yn ddarllenadwy ar gyfer cynulleidfa greadigol ac academaidd fel ei gilydd.

"For Virginia Woolf, H.D., Mary Butts and Gwendolyn Brooks, things mobilise creativity, traverse domestic, public and rural spaces and stage the interaction between the sublime and the mundane. Ordinary things are rendered extraordinary by their spiritual or emotional significance, and yet their very ordinariness remains part of their value. This book addresses the intersection of spirituality, things and places - both natural and built environments - in the work of these four women modernists. From the living pebbles in Mary Butts's memoir to the pencil sought in Woolf's urban pilgrimage in 'Street Haunting', the Christmas decorations crafted by children in H.D.'s autobiographical novel The Gift and Maud Martha's love of dandelions in Brooks's only novel, things indicate spiritual concerns in these writers' work. Elizabeth Anderson contributes to current debates around materiality, vitalism and post-secularism, attending to both mainstream and heterodox spiritual expressions and connections between the two in modernism. How we value our spaces and our world being one of the most pressing contemporary ethical and ecological concerns, this volume contributes to the debate by arguing that a change in our attitude towards the environment will not come from a theory of renunciation but through attachment to and regard for material things."--

"Novelists Against Social Change shows how the writing of the best-selling novelists John Buchan, Dornford Yates and Angela Thirkell expressed their conservative fears and anxieties by politicizing their fiction and characters, from 1920 to 1960. Buchan's focus on national and European politics of the 1920s and 30s was embedded in his trademark adventure fiction for Establishment heroes. Yates's stylistic exuberance decorated his fierce defence of retrogressive social codes with an almost modernist attention to language. Angela Thirkell's Barsetshire social comedies were an elegy to Victorian values and a passionate defence of upper-class civilization as she conceived it. Resisting the threat of change in social class, political action, the freedom of women, and professionalization produced some of their strongest works. This book pays particular attention to Buchan's novels Huntingtower, Castle Gay and A Prince of the Captivity, to Yates's 'Berry' novels and short stories and his thrillers, and Thirkell's wartime and postwar fiction. "--

In conventional literary fiction, effective typography recedes. Grey rectangles of justified type are so familiar they are essentially invisible on the page, allowing the reader to slip into the world of the book unimpeded by the activity of reading. This article explores ways some
novelists use unconventional typography as a literary device, visually interrupting the reader to make a specific point. A range of typographic devices are shown to effect pace, point of view, tone of voice, characterization and to imply ephemeral documents within novels. These typographic
devices are illustrated with examples from a collection of novels including Mark Z. Danielewski's House of Leaves (2000), Salvador Plascencia's The People of Paper (2005), Joanthan Safran Foer's Extremely Loud and Incredibly Close (2005) and Steven Hall's The Raw Shark
Texts (2007). The article aims to illustrate ways authors have experimented with typographic devices to literary effect, and to encourage more experimentation with word-image interplay as a storytelling device.

The landscape of health care is changing rapidly, both on an organizational and a technological level. This book gathers medical anthropologists to examine the ways that both patients and health care workers are being affected by new policies, market, and technologies. Contributors cover a wide range of topics, including vaccination, disability, migration, and self-medication, making clear that not only are changing circumstances leading to the emergence of new socialities, but they are also driving new ethics and moralities.

This book develops interdisciplinary and comparative approaches to analyzing the cross-cultural travels of traditional Chinese fiction. It ties this genre to issues such as translation, world literature, digital humanities, book culture, and images of China. Each chapter offers a case study of the historical and cultural conditions under which traditional Chinese fiction has traveled to the English-speaking world, proposing a critical lens that can be used to explain these cross-cultural encounters. The book seeks to identify connections between traditional Chinese fiction and other cultures that create new meanings and add to the significance of reading, teaching, and studying these classical novels and stories in the English-speaking world. Scholars, students, and general readers who are interested in traditional Chinese fiction, translation studies, and comparative and world literature will find this book useful

Wittgenstein is often regarded as the most important philosopher of the twentieth century, and in recent decades, his work has begun to play a prominent role in literary studies, particularly in debates over language, interpretation, and critical judgment. Wittgenstein and Literary Studies solidifies this critical movement, assembling recent critics and philosophers who understand Wittgenstein as a counterweight to longstanding tendencies in both literary studies and philosophical aesthetics. The essays here cover a wide range of topics. Why have contemporary writers been so drawn to Wittgenstein? What is a Wittgensteinian response to New Historicism, Post-Critique, and other major critical movements? How does Wittgenstein help us understand the nature of style, fiction, poetry, and the link between ethics and aesthetics? As the volume makes clear, Wittgenstein's work provides a rare bridge between professional philosophy and literary studies, offering us a way out of entrenched positions and their denials-what Wittgenstein himself called 'pictures' 'that held us captive.'

Studies of six Australian novelists whose works are examples of political fiction: three women writing before before Federation, Catherine Spence, Rosa Praed, Catherine Martin; and three contemporary male writers, Tim Winton, Christos Tsiolkas, and Kim Scott.

Postmodern fiction and literary theory have endorsed radical skepticism about knowledge, which was partly conditioned by philosophers' inability to provide a viable epistemology that would resolve the radical skeptical problems. Most recent developments in both fiction and theory have largely ignored the apparently still unresolved issue and have instead embraced the position of active commitment that presupposes that knowledge is in fact possible. In this text, we address this apparent oversight and present an interactivist ontology of the mind and culture that explains how we can acquire knowledge about the world, and why the postmodern radical skepticism is ungrounded. We argue that once the interactivist theory of cognition as well as ontology of the mind and culture are assumed, the skeptical problems that troubled postmodern thought become non-problems and further pursuit of epistemically evaluable theory of culture (fiction included) gains solid theoretical grounds.